Ecobank Group Reports Q1 2021 Profit $75.8M, Up 12% On Revenue Of $409M

Ecobank Group reports performance for 2021 first quarter. From the result, Ecobank Group’s Gross earnings remained stable at $532.8 million (up 10% to NGN 214.3 billion) while Revenue up 4% to $409.4 million (up 15% to NGN 164.6 billion).

Key financial highlights:

  • Operating income before impairment losses up 25% to $166.6 million (up 37% to NGN 67.0 billion)
  • Profit before tax up 11% to $100.3 million (up 22% to NGN 40.3 billion)
  • Profit after tax up 12% to $75.8 million (up 23% to NGN 30.5 billion)
  • Total assets down 1% to $25.6 billion (up 1% to NGN 10,442.3 billion)
  • Loans and advances to customers down 3% to $8.9 billion (down 1% to NGN 3,644.3 billion)
  • Deposits from customers down 1% to $18.1 billion (up 1% to NGN 7,378.9 billion)
  • Total equity down 4% to $2.0 billion (down 2% to NGN 796.8 billion)
  • EPS increased 8% to 0.209 US cents and ROTE of 15.7%
  • Ongoing focus on driving cost efficiency led to an improvement in the cost-to-income ratio from 62.7% in 4Q20 to a record cost-to-income ratio of 59.3%, the lowest in a decade, despite a challenging revenue environment.
  • Customer deposits grew $2.0bn year-on-year (YoY) to $18.1bn.
  • Non-performing loans (NPL) ratio of 7.7% was flat on 4Q20 but a significant improvement from 9.9% in 1Q20.
  • NPL coverage ratio of 81.5% improved from 74.5% in 4Q20 and 65.1% in 1Q20 demonstrating efforts to build reserves of NPLs to near 100% in the near term.
  • Book value per share of 5.77 US cents, up 2% YoY; tangible book value per
    share (TBVPS) up 18% to 5.25 US cents
  • Basel II/III total regulatory capital of $1.92bn; Total CAR ratio of 12.3%.
  • Corporate & Investment Bank’s digital transformation of its cash management and trade business gained momentum. The total volume of transactions on Omni Plus increased 44% to $8.6bn compared to 1Q20.
  • Digital transactions among Commercial Bank clients rose 42%, accounting for 37% of total transactions. Transactions within branches fell 32%.
  • The number of Xpress Point agents increased 72% YoY to c.76,000 agents with the volume of transactions increasing by 42% to $573m.
  • Transaction volumes on Omni Lite were nearly a $1bn in the quarter, increasing by $618m from the prior year.
  • The volume of transactions on the Ecobank mobile app (including USSD) continues to accelerate, growing by $541m YoY to $1.2bn.

Ade Ayeyemi, Ecobank Group CEO, said:

“The firm’s performance in the first quarter was strong, despite the continuing challenging operating environment. Revenues increased 4% to $409 million, and we earned $100 million in profit before tax, an increase of 11% year-on-year. Earnings per share grew by 8%, and return on tangible equity was 15.7%. These results reflect the benefits of our diversification and the sustained focus on our strategic priorities.”

“We were also pleased with the underlying performance of our businesses. Our Corporate and Investment Bank delivered a 4% increase in revenues, driven by efficient balance sheet utilisation and support for clients with structured financial solutions.

Revenues grew 13% in Commercial Bank, buoyed by increased cash management fees as pandemic-induced restrictions were eased and client activity increased.

However, the consumer continues to be disproportionately affected, which contributed to revenues in Consumer Bank declining by 3%. But we are encouraged by the gradual pick-up we are seeing in consumer spending activity.

We continued to be unrelenting in our efficiency goals and improved further our cost-to-income ratio from 62.7% in the fourth quarter of 2020 to 59.3% in the current quarter, the lowest in a decade. We continued to build our impairment reserves on nonperforming loans in line with our goal of achieving a reserve coverage close to 100% in the near term.

Consequently, the coverage ratio improved to 81.5%, from 74.5% in the fourth quarter of 2020″.

“Our balance sheet continues to be liquid, robust, and healthy, providing us with the capabilities to be supportive of our client’s financial needs. The focus on driving digitalisation in all our client engagements contributed to sustained growth in customer deposits,”.

“Finally, I am proud of my fellow Ecobankers who continue to serve our customers and communities. Though the economic outlook remains uncertain with virus resurgences across parts of the world creating fragility in economic recovery, whatever the outcome, we are focused on remaining resilient and creating shareholder value for the long term. We will drive momentum to ensure a sustainable revenue expansion path with our clear focus on our people, platforms, products and ultimately performance.”

Nigerian Banking Sector Records Transactions Worth N356.47Tn in Q4 2020 – NBS

The National Bureau of Statistics (NBS) says a total volume of 3,464,811,083 transactions valued at N356.47trn was recorded in Q4 2020 as data on Electronic Payment Channels in the Nigeria Banking Sector revealed.

Online transfers dominated the volume of transactions recorded. 2,227,449,949 volume of Online Transfer transactions valued at N120.27trn were recorded in Q4 2020.

Nigeria Economy Slides into Recession; Albeit, Q3 2020 Real GDP Contraction Rate Eases to 3.62%…
Afolabi Sotunde Illustration Naira

In terms of credit to the private sector, the total value of credit allocated by the bank stood at N20.37trn as of Q4 2020. The oil & Gas and Manufacturing sectors got credit allocation of N3.93trn and N3.19trn to record the highest credit allocation as of the period under review.

As of Q4 2020, the total number of Banks’ staff decreased by -0.90% QoQ from 95,888 in Q3 2020 to 95,026.

UBA Grows Q1 Profit By 27 Percent To ₦38.16 Billion

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United Bank of Africa (UBA) Plc. One of Nigeria’s tier-1lenders released its Q1’ 2021 Unaudited Financial Statements to the investing public on Sunday, 18th April 2021.

From the released result, the Gross Earnings and the Profit Before Tax (PBT) grew by 7.56% and 24% to ₦155.45 billion and ₦40.58 billion respectively in Q1’2021 when compared with ₦144.52 billion and ₦32.73 billion in corresponding Q1’ 2020.

The growth in the Gross Earnings was driven by 10% increase in non-interest income to ₦46.86 billion in Q1’ 2021 from ₦38.06 billion and 2.01% marginal increase in interest income to ₦108.59 billion in Q1’ 2021 from ₦106.46 billion in Q1’ 2020.

  • The increase in the Non-interest Income was largely impacted by the 79% increase in Fee and Commission Income to ₦34.96 billion in Q1’ 2021 from ₦28.24 billion in Q1’ 2020 as a result of the growth in the use of the E-banking platform and 110.59% increase in the Other Operating Income to ₦1.43 billion on the back of an increase in income from dividend, rental and cash handling. Similarly, the Fee and Commission Expenses rose by 53% from ₦9.15 billion in Q1’2020 to ₦14.59 billion in Q1’ 2021 due to the 68.81% increase in the E-banking expenses to ₦13.53 billion in Q1’ 2021.
  • Furthermore, the interest expenses incurred declined by 70% to ₦34.21 billion in Q1’ 2021 from ₦43.69 billion in Q1’ 2020 as a result of the low-interest yield on Customers’ Deposit. On the other hand, the OPEX rose by 9.88% to ₦64.45 billion in Q1’2021 as against ₦58.66 billion in Q1’2020 which is still below the March headline inflation rate of 18.17%.
  • Despite the increase in Operating Cost, the Profit After Tax (PAT) grew by 26.76% to ₦16 billion in Q1’ 2021 from ₦30.10 billion in Q1’ 2020. While the Earnings-Per-Share (EPS) settled at ₦1.04 in Q1’2021 from ₦0.83 in Q1’2020.
  • From the satisfactory performance posted by the bank for Q1’ We maintained our target price for UBA to 8.50 with an upside potential of 17.24% to a closing price of ₦7.25 as of Wednesday,s 21st April 20201. Hence, we recommend a HOLD on the stock

 

Nigerian Idol Theatre Week Begins With 17 Contestants Advancing To The Next Round

After four weeks of auditions, Nigerian Idol theatre began with the 68 lucky contestants battling it out for a chance to become the next Nigerian Idol.

Last night, the contestants were paired into groups to see who would showcase real talent and not just an audition wonder. As expected, some of the contestants were outstanding and progressed into the next round, while it was the end of the road for others.

Nigerian Idol Theatre Week Begins With 17 Contestants Advancing To The Next Round

Unlike the auditions, the theatre week began with group selections. The group selections were much tougher, as contestants had to put in their very best to work with their teammates and still retain their star power.

The 68 Contestants were grouped according to their voices and trained to perform as a group for the judges. The group stage featured an amazing array of songs from Burna Boy’s Wonderful and Teni’s Billionaire, which got a standing ovation from judge Obi Asika.

In this round, the judges were not just assessing the voices of the contestants, they were also looking out for the ability to maintain composure on stage and teamwork.

Star, however, did not get the memo. She expressed her dislike for her teammates as soon as she was grouped. And when Comfort, unfortunately, forgot her lines on stage, she let it get to her and her performance was underwhelming. Luckily, the team had Agbutun to hold the bar, and he did a marvellous job.

While some let the pressure get to them and forgot their lines, others like Godwin recovered quickly and gave a beautiful performance. Some contestants were also victims of their teammates’ flaws and others were trying to outdo their teammates forgetting that teamwork was also being graded.

At the end of the day, out of the 68 contestants that made it into theatre week, and thirty-nine to the group selection, only seventeen contestants progressed to the next round.

Next week, all seventeen will battle it out to prove that they are worthy of being the next Nigerian Idol.

Nigerian Idol continues next week Sunday, May 2 on Africa Magic Showcase (DStv ch 151) and Africa Magic Urban (DStv ch 153) and Africa Magic Family (DStv ch 154 & GOtv ch 2) from 7 pm. Viewers can also catch a special 24-hour Nigerian Idol Extra content on DStv Channel 198 and GOtv Channel 29.

Nigerian Idol season 6 is sponsored by Bigi Drinks and Tecno Mobile. The show is available to customers on DStv Premium, Compact Plus, Compact, Confam, Yanga and GOtv Max and Jolli. Visit www.dstvafrica.com or www.gotvafrica.com and download MyDStv or MyGOtv Apps to pay your subscription or switch your package.

You can also watch Nigerian Idol Season 6 via the DStv app on multiple devices at no additional cost. The app is available for download on iOS and Android devices. For more information, visit www.africamagic.tv/nigerianidol. You can also follow the official Nigerian Idol social media pages for news and updates with the hashtag #NigerianIdol on Twitter @nigerianidol, Instagram @nigerianidol and Facebook.

MultiChoice Unveils Abeg as Headline Sponsor for Big Brother Naija Season 6

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Lagos, Nigeria; 26 April 2021: MultiChoice Nigeria has unveiled indigenous mobile app, Abeg, as the headline sponsor for the 6th season of its popular reality TV show, Big Brother Naija.

Launched in September 2020, Abeg is a peer-to-peer social payment platform that allows users to send, request and receive money quickly, seamlessly pay for goods and services, and transfer money to friends and family free of charge. The mobile app is a product of a leading financial technology company, Piggytech Global Limited.

MultiChoice Unveils Abeg as Headline Sponsor for Big Brother Naija Season 6

Speaking on the new partnership, Chief Executive Officer, MultiChoice Nigeria, John Ugbe said:

“We are excited to have Abeg on the BBNaija platform for this sixth season. There’s a strong alignment between our brands’ commitments: Abeg is a young and ambitious fintech company that is passionate about providing payment experiences for its customers just as we are committed to connecting our customers to stories and experiences they enjoy. We believe this new partnership with Abeg will deepen the engagement with our customers and fans of the show even as we look forward to a great season”.

The open call auditions for the popular reality show will be announced in due course as the show makes a return for a sixth season later this year.

Abeg is the headline sponsor of Big Brother Naija season 6 and the associate sponsor is Patricia. For more information, please visit www.africamagic.tv/bigbrothernaija and follow the Big Brother Naija social media fan pages on Twitter @bbnaija, Instagram @bigbronaija and Facebook www.facebook.com/bigbrothernaija

Abeg is a Peer-to-peer Social Payment Service. The Abeg app allows users to send, receive and request money quickly and seamlessly pay for goods and services and transfer money to friends and family free of charge. The app is a product of Piggytech Global Limited (popularly known as PiggyVest), a leader in the Financial Technology Industry.

Abeg leverages “social payments” to enable peer-to-peer payments. Users on Abeg can form groups called “Cliques”, and within their clique, they can split payments/bills, make

group contributions like Ajo and get peer-to-peer loans. Launched on the 22nd of September 2020, and still in beta, Abeg has about 20,000 users and over N250 million in p2p transactions. Abeg will improve and simplify the money transfer process while giving a social and seamless experience.

Advance Week 51 2021 Aussie Football Pool Results, EKO, LKO

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This is the week 51 2021 Australian (Aussie) premier league, the country’s lower leagues, and Europe’s club football pool results for today Saturday, 26th of June, 2021.

Follow all Aussie football tournament standings by pool result for week 51 2021 at Brand Spur Nigeria hence

Football Pool: Week 51 2021 Coupon Pool Information

The Football Pools Results updated after Full Time while Pools Panel (PP) comes before Half Time.

LKO:

EKO:

Panel:

Sunday matches:

Monday matches:

Void:

Full Time (FT):

So, check week 51 pool results out as seen below:

It’s the vital week 51 Aussie 2021 football coupon pool information to enable to forecast for your sure draws, results:

No. Advance Coupon Games Result Status
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2020 Oscars Advert Revenue Reaches $150 Million

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Advertising during the 2020 Oscars Academy Awards ceremony rose 13% compared with 2019.

The average cost of a 30-second spot during the 2020 Academy Awards ceremony rose 9% from 2019 to reach $2.15 million. Despite dwindling audiences in recent years, the Oscars is still the most-watched entertainment program of the year, generating strong second-screen engagement and provides an attractive platform for data-driven marketers to reach their target segments.

Ad revenues remain high

Oscar Sunday perennially generates more ad revenue for ABC than any other day of the year. Revenue is driven by the combination of unit pricing and volume of inventory sold, and both measures increased in 2020. Sponsors invested $129 million for messages in the awards show, up 13% compared to 2019. When the pre-ceremony Red Carpet coverage is included the grand total jumped to $150 million.

Ad load holds steady

The Academy Awards is a live telecast and its run time over the past five years has ranged from a trim 2 hours and 52 minutes (2019) to a bloated 3 hours and 55 minutes (2018). As of 2019 the Academy has stated it wishes to keep the televised ceremony to a maximum of three hours going forward. However, in 2020, the telecast lasted 3 hours and 36 minutes. Despite the varying length, the total amount of commercial time in the program has been a steady 43 to 46 minutes. As a reference point, the comparable average for three hours of primetime entertainment programming on a linear broadcast network is 46 minutes of commercials.

Cadillac leads in ad spend

The largest advertising positions in the Academy Awards are held by well-known marketers. In a typical year, the top five spenders account for more than one-half of total ad revenue. With advertisers like Cadillac and Rolex, it’s a noticeably higher-end mix than Super Bowl advertisers. Due to long-term sponsorship deals, the makeup of this group tends to change slowly.

Due to COVID-19 concerns, the Academy of Motion Picture Arts and Sciences pushed the date for the 2021 Academy Awards back two months, from February to April. Despite dwindling viewership and the impact of the pandemic on the economy, ABC hasn’t made any significant changes to ad pricing its biggest revenue generating event of the year, seeking $2 million per :30 second spot for the 2021 Academy Awards.

Amazon Brand Strength Surges In Wake Of COVID-19 Pandemic

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Amazon has opened up a wide post-pandemic brand equity gap over competitors, according to our most recent BrandZ™ analysis.

While shoppers in the report viewed Amazon, Walmart, and Target as all being “Meaningful,” that is, meeting consumer needs in a relevant way, and “Salient,” that is, quickly coming to mind, Amazon was viewed as being significantly “Different.”

Amazon, in fact, achieved overwhelming “Meaningfulness,” “Difference” and “Salience” scores. In each of these categories, which BrandZ™ considers core building blocks of brand equity, Amazon scored approximately 200, double the average score in the analysis.

Amazon’s ability to be seen as simultaneously “Meaningful,” “Different” and “Salient” also helped drive its brand equity to a level far surpassing that of its closest competitors.

On a scale where an average brand scores 100, Amazon scored 289 on the BrandZ™ Power Index, which measures the ability to drive current market share.

Amazon value growth since 2006

Comparatively, Walmart and Target scored below average on the Potential Index, signaling their need to strengthen perceptions of Difference. Walmart and Target scored less than 100 in Difference, while Amazon scored more than 200.

The proprietary BrandZ™ Valuation Methodology uses consumer viewpoints to assess brand equity, and how consumers perceive and feel about a brand as a measure of potential success or opportunity.

The in-depth quantitative consumer research is conducted on an ongoing basis worldwide. Globally, the research covers more than 3.8 million consumer interviews in more than 500 categories and almost 18,000 different brands in more than 50 markets.

Change In Directorate And Release Of Integrated Report Of Old Mutual Limited

Change In Directorate

In compliance with paragraph 6.39 of the JSE Debt Listing Requirements, debtholders are advised that the Board appointed Jaco Langner as an independent non-executive director of Old Mutual Life Limited.

His appointment is still subject to the approval of the Prudential Authority in terms of the Insurance Act No 18 of 2017.

The JSE will be informed in due course of the effective date once the Regulatory approval has been obtained for the appointments.

Jaco Langner holds a BCom (Maths) degree from Stellenbosch University, is a fellow of the Faculty of Actuaries in Edinburgh, United Kingdom, and a Fellow of the Actuarial Society of South Africa. He has worked in the financial services industry both within South Africa and in the Netherlands.

The Board confirms that the appointment was made pursuant to the policy dealing with the nomination of directors of the Company.

Release Of Integrated Report Of Old Mutual Limited (“Old Mutual”)

 In addition, debtholders are advised that today Old Mutual has released its Integrated Report and related supplementary reports for 2020 which are available on Old Mutual’s website at https://www.oldmutual.com/integrated-report/. Old Mutual is the guarantor of the OMLACSA OML11 and OML 12 debt instruments.

WandaVision And The Mandalorian Deliver Disney+ New UK Subscribers

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Disney+ had a particularly strong three months to March 2021, in which it celebrated its one-year anniversary in the UK, capturing 22.9% of new subscribers.

The Entertainment On Demand service in the UK reveals the following consumer subscription behaviours in the three months to March 2021:

EoD Streaming Q1 2021 Brand spur WandaVision And The Mandalorian Deliver Disney+ New UK Subscribers

After a full quarter of availability in the UK, it is clear there is a significant appetite for the unique mix of documentary and reality-based content Discovery+ offers. Its success in the UK mirrors the success in the USA.

In the first quarter of the year, newcomer Discovery+ secured 11.5% of new paid subscribers. These new subscribers were particularly influenced to join by specific content with Ghost Adventures, Estonia and Joe Exotic being the key titles.

Biggest Toymaaker Posted 70% Growth in Star Wars Revenue 2020 Thanks to The Mandalorian Brandspurng
Photo by Michael Marais

Free trials of the service were crucial to drive customer acquisition, but importantly for Discovery+, among those who did sign up for the paid service, there was a significant appetite for annual plans, helping relieve any immediate retention pressure. There is a major new player in the UK SVoD space.

Disney+ had a particularly strong quarter, in which it celebrated its one-year anniversary in the UK. Disney secured 22.9% of new subscribers in the quarter, with the new WandaVision series playing a key role.

As well as driving significant customer acquisition, WandaVision also held the top spot for the highest-ranked series over the quarter across the UK. 5.2% of all SVOD consumers said WandaVision was the title they enjoyed the most over the quarter, whilst 3.5% cited Netflix’s Bridgerton and The Crown completing the top 3 highest rated titles.

WandaVision was particularly popular with younger males, with those who rated it as their top title being 77% male and 34% under 25 years old.

Amazon Prime Membership continues to buoy Prime Video’s overall performance with 54.6% of GB households now Prime members, up from 53.5% in Q4 and just 45% a year earlier.

Amazon also saw an increase in the proportion of Prime members using Prime Video, rising to 64.2% up from 60.5% a year ago. Subscriber advocacy for the service increased over the quarter, but there remains a significant gap between market leaders Netflix and Disney+.

Amazon has almost closed the experience gap on the interface but lags on a variety of TV series and a number of new release films. The gap in subscriber numbers between Prime Video and Netflix continues to reduce, falling from almost 5 million in Q1 2020 to just over 3m in Q1 2021. Based on current trends, Prime Video could pull level in terms of subscriber numbers with Netflix by Q4 2022.

Now has experienced a notable increase in the proportion of its subscribers classified as light users, hitting 51% in Q1 2021, up from 41.9% a year ago. Its share of new subscribers has been consistent over much of the year, though there is an ongoing drop in overall subscriber numbers, with retention being a key issue.

47% of those who cancelled Now in the last quarter said they were not using it regularly enough to justify the cost. Engagement correlates directly with advocacy and retention, so it is vital that Now takes decisive steps to increase its share of screen time among its subscribers.

Based on a longitudinal panel of 15,000 consumers and boosted by 2,500 new subscriber interviews each quarter, the Entertainment On Demand service is designed to help the broadcast industry and investors understand the full consumer journey for digital video subscription services